I have included some of my paintings here, but do stay and have a look at all of them in My Art Gallery.
I am drawn to Native American Indians, especially their faces, but also to their art, culture, history and costume. There are quite a few books, which contain original sepia photographs of N A Chiefs and renowned characters by photographers such as Carl Moon, Ben Wittick, Harriet Smith Pullen, William Henry Jackson and Frank A Rinehart, who was the official photographer of the Trans-Missippi and Internation Exposition in Omaha, Nebraska in 1898, photographing many of the 500 N A Indians, who attended. ‘Kills Enemies’ (or his sanitised portrait was entitled ‘Chief Goes To War’) was a Sioux Chief circa 1898. I have drawn his majestic figure from the sepia image contained into the book ‘Native American Portraits 1862-1918’ – text by Nancy Hathaway, Chronicle Books 1990. I have painted his war apron, war shield of feathers, war hammer and distinctive eagle feathers in his hair in the colours I think would have been used.
‘Native American Dreamworld’
This painting combines much of the flora and fauna associated with the N A Indian – the snow-topped Rocky Mountains, fir trees, silver birch, blue lakes, waterfalls, rocky shores, bald eagle, brown ‘grizzly’ bear, salmon and the Great Northern Divers or Common Loons as the Americans call them. The rim of the painting shows typical Sioux designs.
Inuits follow the nomadic lifestyle epitomised by the N A Indian, but instead of a hierarchical society their society is egalitarian. They live in the Northern territories of Alaska, but their culture spread from Siberia through the Artic and Sub-Arctic of Canada to Greenland. Here I have included Little Auks, Artic Char, a spotted seal, a polar bear together with an igloo and sled highlighting the specially double-fur insulated, hooded anorak, trousers and moccasin boots worn by Inuits. The method of hunting is through holes in the ice and snow. Traditionally women spend a lot of their time cutting and scraping furs of caribou, seals, polar bears and artic foxes, softening the skins with their teeth, which results in them wearing down dramatically during their lifetime. Each seam of a garment is sewn with sinews to ensure it is water- and windproof to rule out frostbite, which can cripple and prove fatal. The rim of this painting shows Inuit writing.
‘St Edmund’s Church’
This painting is of a church, which is at Holme Pierrepont, Nottingham, quite near to where I live. I painted the scene from a photograph taken by a dear friend, Ben, who has since died. He told me he got up early one winter’s morning and caught sunrise highlighting the warm stone of the church, the graveyard, the yellowed grass and the sheep in the field in the foreground creating a beautiful and uplifting light effect.
‘All Hallows' Church’
The view of the spire of this local church at Gedling, Nottingham was painted from the front bedroom window of the last house we lived at. You can see over the houses in front of the church onto the rolling fields behind it. The church clock on the spire is the one featured in the poem ‘Weather Vane’ below.
The day had celebrated matins.
Now the weather sank its gummy mouth
into the sodden earth and cried
cloudfuls onto the windscreen.
Maps lengthened the route
down silent lanes forded by
cow parsley, puddles and black soil.
The house to be viewed
disappeared along a lupined lane.
It stood, bereft of people,
prey to the elements,
damp and mould being constant companions
of shuttered time.
The garage – timbered, lacking any door –
housed a thrush frantic to escape
through the looking-glass window.
Her last violent strike for freedom
dashed her beak against brittle barrier.
Fallen, pale eyelids covered dying eyes;
neck limp, broken.
I placed the still-warm body among flowers
encroaching the side hedge.
The journey back bumped into clearer skies.
Sun smiled out from gaps in grey
steaming spirit-mists from tarmac.
The church clock – gold hands, blue face –
chanted its four o’clock blessing
as the metal-feathered cockerel hovered,
then listed southwards.
Published in Immortal Diamond 1991 ‘Storm’ ‘Tibetan Full Festival Costume, Gondalen Monastery’ Mandala Smell the Indian Ocean Tied by camel hairs, PANIC: Give up, INSANITY: Travel on, STRENGTH: Keep going, Lying back in sheets of sleep, Published in Panda 17 - January 2004, *Mandala* - second collection of illustrated poems by Vivien Steels/Vivi*Press - Nov 2004 and Reflections 62 - Nov 2006 ‘Golden Kimono’ ‘Desert Rest’ ‘Mermaids’ Pearls’ "There she dives, dredging the water of depth, ♥ All artwork and poetry on this website is © Vivien Steels.
This picture was also painted from a photograph taken by a friend, Keith Taylor – a local writer - of a house hidden by the reeds and bushes edging part of the towpath near Bassingfield, Grantham, Nottinghamshire. I love the dramatic, stormy, blue-grey sky and the merest hint of light at the top right hand corner shining down onto the house and into the water reflecting the vegetation. A moody painting with a promise of clearer skies to come.
Costume around the world has always fascinated me and Tibet is a place I would love to explore. The festival costume depicted here with its extra-long, phosphorescent pink sleeves, elaborate headdress and braided hairstyle, gold and jewel encrusted bodice, striped skirt and felt embroidered shoes together with a deeply rouged face makes a striking, other-worldly image. I used this painting for the cover of my second book of illustrated poetry entitled *Mandala* and it combines with the poem of the same name.
turquoise as a jewel
at the dead-end of desert road,
horizon of heat,
mirage of magic.
amongst rainbow cloth
to adventure further
along the fabricated bias
of my dancing dress,
dreams flick their rapid eye movement
and three voices begin.
you will die.
As strength is evaporating
so you will spend days deep in dust.
you cannot escape.
As madness spreads her mantle
so you will scream to the four winds.
you will win.
As destiny plaits her pattern
so you will twist into the light.
witching moons sigh with wishes.
The mandala spins –
an oasis of hope.
I saw a photograph of this kimono in a magazine many years ago and kept the image to paint. I love the black and gold dragon designs, as they fall in folds. Japanese kimono designs are as many as they are beautiful with the emphasis on floral designs, mythological animals, stylised birds, butterflies, lions and dragons.
I love camels and although I have heard that they are very spiteful, bad-tempered animals with a penchant for spitting, I am sure they are much maligned and it must depend on how they are treated. A friend who went to Egypt and rode one said her (very white and fluffy) camel had the sweetest disposition. I would love to have a ride on one and a caravan of camels winding across the sculptured sand dunes of the desert is a majestic sight.
Myths and legends record sightings of mermaids and I wanted to create my vision of what I think mermaids look like. This painting, (which was published in Poetry Monthly - Sea Towns and Costal Edition - February 2005), is associated with two poems I have written – ‘Half Twin’ (published in Rain Dog - No: 5 Spring 2002 and my booklet of illustrated poems - *Promise* 2003) and ‘Witch Writer’, which was published in Write-Away - Winter 2001 and Magnapoets 2 - July 2008, a verse of which is repeated here, as it formed the basis for creating the picture.
catching treasure in the net of her craft –
drawing fish like silver magnets to her side
to swim, a mermaid of the elements,
with the salt-seaweed as her hair."
‘Tibetan Full Festival Costume, Gondalen Monastery’
Smell the Indian Ocean
Tied by camel hairs,
PANIC: Give up,
INSANITY: Travel on,
STRENGTH: Keep going,
Lying back in sheets of sleep,
Published in Panda 17 - January 2004, *Mandala* - second collection of illustrated poems by Vivien Steels/Vivi*Press - Nov 2004 and Reflections 62 - Nov 2006
"There she dives, dredging the water of depth,
♥ All artwork and poetry on this website is © Vivien Steels.